I’ve been trying to roll with the corona homestay in a mellow way — trying not to get too panicked about the pandemic and also trying not to put too much pressure on myself to accomplish something meaningful during this time. I have definitely been indulging in staying up late with a book, eating lots of warm-from-the-oven bread, and ignoring to-do lists. But I don’t want to be a complete sloth and totally miss this opportunity to explore things in a low-key, private way.
Taking a walk on the road at the end of March, I stopped to talk with a neighbor I hadn’t seen in quite a while. As we talked, I had the idea that maybe I could ask him if I could snap a photo and then paint him. He was totally open to it, so I went ahead and used my phone to just get a picture of him bundled up in his winter work clothes, bright orange watch cap and all.
In the weeks since, I’ve been painting people I encounter in my quarantine travels as an organizing principle for my studio practice. So, as I go for walks on my road or head into town to the store, I’ve been asking folks I see, but wouldn’t necessarily think of as close friends, if I can snap their photos, and then using them for photo sources back in my studio.
It’s been good practice — not only for the faces, but the asking too. I had had an idea for a project in the fall that would have relied on reaching out to people I didn’t really know, in a similar way, but my discomfort with that had gotten in the way of getting it done. Also, I’d wondered how much I could like a portrait that was just from a snapshot — would it be able to capture much of their personality, their likeness? I think these do capture some important parts of the people. I’ve been sharing them with the folks after I paint them, and so far they’ve responded pretty positively.